We write your song, produce it, master it, distribute it to Spotify and 150+ platforms, and collect your royalties. All from your WhatsApp. No studio. No gatekeepers.
Tap a city to hear a song made there
No studio session. No label meeting. No distribution deal. Just a message, a minute of magic, and your song on every platform that matters.
What if the song was yours?
For a hundred years, music has been a translation. You press play on a breakup song to feel seen — and what you're really hearing is Adele's breakup. Kendrick's block. Fela's Lagos. Great artists. Great songs. But always a translation of your feeling through someone else's.
Afrobits is the first place where the song starts with your words. Your memory. Your name for the person. The specific Tuesday it happened. You don't find yourself in the song — the song finds you in you.
From Yoruba to Yiddish, Tagalog to Tamil, Zulu to Japanese. Afrobits speaks the music of your people, wherever your people are from. No language is too small. No culture is an afterthought.
We do what a label does, minus the contracts, the gatekeepers, and the wait. Write, produce, master, distribute. You get an artist name, an ISRC code, and a song live on every platform that matters.
Tell us the story. A memory, a name, a mood, a message. We turn it into lyrics in your language, your dialect, your voice.
A full arrangement. Instruments true to your genre. Vocals, harmonies, drops, breaks. A finished track in under two minutes.
Studio-grade mastering calibrated for streaming. Loudness, clarity, dynamic range. Radio-ready the moment it lands.
Spotify. Apple Music. YouTube Music. Tidal. Deezer. Amazon Music. 150+ streaming platforms. Your song, live on every one.
Every stream is yours. Every royalty is yours. Every listener, every country, every play. You're the artist. You own it.
We meet you where your thumbs already live. The messaging app you opened this morning is the studio, the label, and the distribution deal, all at once.
Eight billion people.
Every single one has a song in them.
We built the place where it comes out.
The music industry carved the world into a dozen neat genre boxes. Real sound doesn't fit in boxes. Every street, every diaspora, every generation invents its own. We're built for all of them — the ones with names, and the ones waiting for theirs.
Naming a genre is describing a scene after the fact. We're built to serve the scene as it happens — in any language, any tradition, any remix of traditions, including the ones not on any chart yet.
In their language. Their culture. Their style.
Through the messaging apps they already use.
The music business was built for a tiny slice of the world's voices. We're building for everyone else — the kid in Lagos with a melody in their head, the grandmother in Manila who sings in a dialect no label has ever heard, the friend group in Lima who just want a song for tonight.
Every other music tool asks you to download something, sign up, figure it out. We meet you in the chat thread you already have open. The studio, the label, and the launch pad — all in the inbox you opened this morning.
Reggaeton should hit like reggaeton. K-pop should sparkle like K-pop. Highlife, baile funk, amapiano, qawwali, cumbia, dancehall, drill — every sound has its own swing, its own swagger, its own grammar. We've trained on the textures, languages, instruments, and traditions of the world so what comes out sounds like where you're from — not a translation of it.
A free, 24/7 browser stream of original songs made on Afrobits — from Lagos to São Paulo to Seoul. No signup, no ads, no repeats. Press play and hear what the planet is making, right now.
Tune into Afrobits RadioStart with a memory, a lover's name, a rainy afternoon, the story of your grandmother. We'll turn it into a song.
Start on WhatsApp